Megapixels in cameras. Why isn't bigger always better? How many megapixels does it take to make good photos? Camera 12 megapixels
By the number of megapixels you can accurately determine the resolution. To do this, look at the table below. And then we’ll figure out what’s what.
- One megapixel contains one million pixels. In this case, the resolution of the image is determined solely by the number of pixels of which it consists.
- As a rule, as the resolution increases, the detail of the picture also increases. However, additional factors such as noise reduction, as well as light sensitivity settings and focusing also have an impact here. A large number of megapixels in itself does not guarantee high image detail.
- In addition, amateur photographers in most cases cannot reap additional dividends from ultra-high resolutions. Modern Full-HD monitors, for example, offer a resolution of only 1920x1080 (that is, a little more than 2 megapixels). Individual details here will become visible only when you zoom in on the image.
- For those who want to print their photos, on the contrary, a larger number of megapixels can be very useful. In this case, you have room to crop photos and print certain parts of them without serious losses in quality.
For an amateur photographer: 7 megapixels is enough
Canon PowerShot A710 IS with 7 megapixels Amateur photographers should also be able to edit their work without much hassle. This is why you should consider a small "buffer". For printing, 5 megapixels will be enough. Therefore, if you give preference to 7 megapixels, you can’t go wrong.
- This will allow you to shoot photos at approximately 3072 x 2304 pixels. This way, you'll have plenty of wiggle room to crop out unwanted objects at the edges of the frame or zoom in on certain parts of the image. In this case, there should not be a noticeable deterioration in picture quality.
- With this resolution, you can even print your photos without any problems: prints in postcard format (10x15 cm) or even the size of an A4 sheet will look quite clear. Only when printing posters (for example, A3 size) may a slight blur be observed.
- With an “average” resolution of 7 megapixels, the files with each individual image will be of medium size: in uncompressed form, the image will take about 20 MB on the memory card. In JPEG format, one photo will require only 4 MB of disk space. For comparison: with a resolution of 12 megapixels, an uncompressed photo already “weighs” 35 MB.
- The cost of the corresponding cameras starts from 4 thousand rubles.
For those who love details: 12 megapixels and more
Canon Ixus 255 HS with 12 megapixels Those who really want to capture every detail of the world around them may well resort to using a camera with a large number of megapixels:
- Starting from 12 megapixels, you can scale the resulting images over a fairly wide range without loss of quality. Nice fun, but ultimately unused for most images.
- Additionally, here you will have to pay more attention to other factors such as noise reduction or focusing speed. You will find out which cameras combine these qualities well from our rating.
- Because of high cost appropriate cameras, you should first think carefully - do you really need a large number of megapixels? Cameras with a resolution of 20 megapixels or more, even among professional photographers, do not have a special priority.
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It is noteworthy that even a slight increase in linear resolution is accompanied by a significant increase in the number of megapixels. This is similar to calculating area. To double the number of megapixels, it is enough to increase the linear resolution by 41%, and doubling the linear resolution leads to a fourfold increase in the number of megapixels. It is for this insidious property that megapixels are so dearly loved by marketers, since it allows them to present very moderate progress as something revolutionary.
In fact, a twofold increase in the number of megapixels is not a revolution at all, it is just the minimum after which the increase in detail becomes noticeable for most people, and only if the detail was limited solely by the number of pixels, and not at all by lens aberrations or misses focusing, camera vibration and poor editing. Moreover, the contribution of the matrix resolution to the overall sharpness of the image rapidly decreases as the number of megapixels increases. Up to 10 megapixels, this contribution is very significant, from 10 to 20 megapixels it is no longer so significant, and with a resolution above 20 megapixels, the quality of the optics and the skill of the photographer unconditionally come to the fore.
Is excess megapixels harmful?
In general - no, it is not harmful. I just consider it necessary to emphasize that there is not much benefit from it. In my opinion, the only truly negative effect associated with an increase in resolution is a proportional increase in the volume of files, which rapidly fills memory cards, devours disk space and slows down the computer during post-processing.
It may be objected that cameras with higher resolutions are also noisier at high ISO values. This is true, but only when comparing images pixel by pixel, i.e. at 100% magnification. With an equal scale, the noise level will be approximately the same (other things being equal, of course). For example, if a picture taken with a 36-megapixel camera is reduced to 16 megapixels in Photoshop, then in terms of noise level it will practically not differ from a similar picture originally taken with a 16-megapixel camera. In this case, the reduced image may even look somewhat sharper, since reducing the image (decimation) to a certain extent neutralizes the loss of sharpness that is inevitable with Bayer interpolation.
Thus, high resolution actually allows the camera sensor to collect more information about the scene being photographed and potentially provide better detail in the photo. Another question is, will you be able to take advantage of this potential, or will it only translate into extra gigabytes occupying your hard drive?
To understand what number of megapixels will be necessary and sufficient for you, you just need to remember what end use you find for your photos? Do you view them on a computer monitor or perhaps using a digital projector? Do you print your pictures, and if so, what is the maximum print size? Do you share your pictures online? Do you subject your pictures to any processing, or are you content with what comes out of the camera?
Viewing photos on a computer monitor
The most common screen resolution among visitors to my site is 1920x1080 (Full HD), which roughly corresponds to two megapixels. For laptops, the most popular resolution is 1366x768 (WXGA), i.e. one megapixel. Rare visitors use monitors with a resolution of 2560×1440 (WQXGA), which is less than four megapixels. There are so few iMacs with Retina displays that they can be ignored.
The conclusion, it seems to me, is obvious: in most cases, 2-4 megapixels are enough to view photos on a personal computer monitor. And this is if the picture is expanded to full screen, and not huddled in a small window.
Projectors
Mass models of modern digital projectors have a resolution of 1920x1080 (Full HD) or even less, which means trying to demonstrate to the public anything more than a couple of megapixels with their help is pointless. Projectors with a resolution of 4096x2160 (4K) are simply not affordable for most photographers, but even less than nine megapixels is not that much by modern standards.
Printing photos
The resolution of a print, regardless of its size, is usually measured in dots per inch (dpi). For example, when printing at 300 dpi, there will be 300 dots per linear inch (2.54 cm), which corresponds to 118 dots per linear centimeter.
A resolution of less than 150 dpi is considered low, from 150 to 300 dpi is acceptable, and from 300 dpi and more is high. High resolution means that the individual points that make up the image are virtually indistinguishable to the naked eye. Typically, moderate-sized prints (up to A3 inclusive) are made with a resolution of exactly 300 dpi. For larger prints it is acceptable to use a lower resolution.
Much depends on the distance from which you are going to view the photo. Small cards are viewed closely and their resolution should be as high as possible. Large canvases are hung on the wall and admired while standing at some distance, and therefore even a relatively low resolution will not hurt the eye. This also applies to photo wallpapers. Huge billboards that people look at from tens of meters away can be printed at 32 dpi and they will still look good.
The table below shows how many megapixels are required to take and then print photographs at both 150 and 300 dpi resolution at various print sizes.
When was the last time you printed your photos on A3? Let me remind you that the most popular print size among amateur photographers is A6, i.e. 10×15 cm.
Internet
The Internet doesn't like big photos. Firstly, big pictures they take a long time to load, and secondly, most people are simply not interested in looking at the microscopic details of other people's photographs. The only exception is specialized photographic forums. As for social networks, then your multi-megapixel images will in any case be reduced when uploaded to the server, regardless of your consent, and the quality of decimation will not be the highest.
If you send photos to relatives and friends via e-mail, then it is necessary to reduce them at least for reasons of basic decency. Who wants to wait for huge files with flowers and kittens to download?
In a word, here, too, literally a couple of megapixels will be enough for you.
Of course, all this applies exclusively to amateur photography and does not apply to images intended for commercial use. It all depends on the specific situation. If the customer demands 20 megapixels at all costs – so what? – we’ll send him exactly 20 megapixels, but whether he really needs them is no longer our concern.
Image processing
When editing photographs in Adobe Photoshop or another graphics editor, some excess resolution is not only tolerable, but also highly desirable. Firstly, many SIM cards need cropping, i.e. in trimming edges, and it’s good when you have the opportunity not to save pixels. Secondly, competent image reduction - The best way hide or at least minimize image defects such as noise, chromatic aberrations, moderate movement, interpolation artifacts, etc. In other words, a photograph taken from high resolution, and then scaled down, almost always looks better than the original shot at low resolution.
However, it should be noted that the resolution of modern cameras is so high that there is almost always a supply of megapixels that can be sacrificed when editing.
Conclusion
You and I have talked for too long about something that shouldn’t be talked about at all. Let us finally sum up the results.
To satisfy the needs of the vast majority of amateur photographers, ten megapixels will be enough, although even this number seems somewhat excessive. It's rare that an enthusiast will be able to fully realize the potential of twenty megapixels, but such people usually know what they want. Those photographers who may objectively need higher resolution, and who know how to handle it, are unlikely to read this article.
Considering the fact that the resolution of more or less serious cameras today averages about two dozen megapixels and continues to grow, I consider further discussions on this topic simply unnecessary. The number of megapixels is no longer a parameter that you should seriously pay attention to when choosing a camera.
Thank you for your attention!
Vasily A.
Post scriptum
If you found the article useful and informative, you can kindly support the project by making a contribution to its development. If you didn’t like the article, but you have thoughts on how to make it better, your criticism will be accepted with no less gratitude.
Please remember that this article is subject to copyright. Reprinting and quoting are permissible provided there is a valid link to the source, and the text used must not be distorted or modified in any way.
Comparison of a regular 12-megapixel image (left) and a shot taken from the new 48-megapixel IMX586 sensor (right)
Sony has unveiled the IMX586, the world's first CMOS smartphone sensor with an effective resolution of 48 million pixels. This means that the sensor will be able to capture frames of size 8000×6000 pixels without software interpolation! Previously, this size was only available on expensive professional cameras, and even then not on all.
Well, shooting video with a modest 4K resolution (4096×2160) is as easy as shelling pears for such a sensor. He does this at a speed of 90 frames per second.
The technical characteristics of the sensor are very impressive. Apparently, 48 megapixel cameras will very soon become the main trump card of top-end smartphones. The company promises to begin mass deliveries of IMX586 in September 2018.
How did Sony achieve such a dramatic increase in resolution? Well, there are some tricks here. IMX586 combines two key technologies:
- Very small size of photosensitive elements (very high resolution)
- Quad Bayer color filter processing with multiple algorithms for enhanced resolution
Conceptual diagram of the pixel lattice of the new sensor (Quad Bayer Array) and a diagram of its transformation using the original signal processing algorithm (right)
The physical size of the sensor is 1/2" or 6.4 × 4.8 mm. This is a large size - the largest that can be found in smartphones, for . Usually phones use 1/3" sensors, that is, almost half the size . But you can’t squeeze 48 megapixels into 1/3", but with the 1/2" format this trick worked.
Now about the original Quad Bayer color filter. His work is shown in the diagram above. The way it works is that each 2x2 pixel block has the same color filter. This allows data to be processed differently depending on conditions.
In low-light conditions, data from four photocells is combined - and they essentially work as a single element with a side size of 1.6 microns. In this case, the resolution of the sensor is reduced by four times and it “turns” into a standard 12 megapixel sensor, only probably with a lower level of thermal noise.
Well, in good lighting conditions, when thermal noise is unnoticeable and photon energy is more than enough, the sensor operates in full force, each photocell independently records the signal - and the result is the quality that is shown on Sony's CDPV. But this is still not a completely honest 48 million pixels, but some approximation to them after digital signal processing. It will be very interesting to see how this sensor actually works and how noticeable the difference between 12 and 48 MP frames is in reality. If everything works as promised, then such a smartphone can be used as a kind of “binoculars” - not take photographs, but repeatedly zoom the image on the screen to see details of distant objects invisible to the eye.
In its press release, Sony says the new sensor has four times the dynamic range of conventional sensors. According to experts, the same system is used here as in the IMX294 sensor, where some of the pixels work with incomplete exposure, protecting themselves from light exposure, but at the same time recording details in the shadows. At least the Quad Bayer filter structure lends itself well to this method of operation.
It turns out that the sensor operates in three modes: low illumination (12 MP),
high resolution (48 MP) or increased dynamic range in high-contrast scenes. This is an interesting approach that is somewhat reminiscent of Fujifilm's Super CCD EXR technology.
Most likely, the new sensor will first see the light in a Sony smartphone, and then in smartphones from other manufacturers. It is highly likely that it will be included in the Sony Xperia XZ3, scheduled for release in September.
This article is devoted to the relationship between the increase in the number of megapixels in cameras and the increase in actual image sizes.
Mathematics and Megapixels. Only for the most inquisitive. Do you want to make money on the release of a new camera? Just add pixels!
It all started when the Photo Dzen project and the official Canon representative office in Ukraine provided me with a Canon 5Dsr camera for review. At that time it was a camera with the largest number of megapixels among all full-format cameras. digital cameras(i.e. among a narrow format).
Using the Canon 5Dsr, I was able to shoot not only with the , but also with the Canon EF 24-70 f/2.8L II (which I didn’t have time to review), as well as with the legendary . I was wondering how all these lenses resolve such a super megapixel camera. As it turned out, I didn’t find anything interesting in the resolution, but at the same time I came across one very interesting nuance.
And Canon EOS 5DSR
Along with the Canon 5Dsr, I also had a camera for review. Poking around in the RAW files of the Canon 5Dsr, I didn’t immediately understand where the vaunted 50 megapixels of the Canon 5Dsr were, or how to feel them.
Let me remind you that the Canon 5Dsr has 50 MP on its sensor, and the linear dimensions of the image in pixels are 8688 X 5792, which equals 50,320,896 pixels (which are rounded up to 50 MP).
It has 24 MP on board, and the linear dimensions of the image in pixels are 6000 X 4000, which is equal to 24,000,000 pixels (and corresponds to exactly 24 MP without rounding).
Important: The physical size of the sensors of these cameras is the same and is 36 mm by 24 mm. The sensors differ precisely in the number of megapixels.
If we divide 50 MP by 24 MP, we get:
50 MP/24 MP=2.08
those. 50 MP is 208% of 24 MP. To paraphrase, 50 MP is 108% larger than 24 MP.
It seems to many that a difference of twofold is a lot, but we forget that the area (the number of megapixels on the sensor) doubles, and not the linear dimensions (the width and height of the image).
The number of megapixels is a function of the area of linear dimensions (the width and height of the image in pixels). Users often pay attention only to the growth of megapixels, forgetting about the linear dimensions of images.
If visually observing the images in proportions, it may seem that the 24 MP image is not 2 times smaller in front of the 50 MP one (visually I would say that it is about one and a half times smaller).
How much bigger is a 50MP image compared to a 24MP image?
The actual increase in image length in pixels is only 45%, not 100% as might be mistakenly assumed (when 50 MP is divided by 24 MP).
8688/6000=1.448. Those. The 50MP image length is only 45% longer than the 24MP image length. The same goes for image height.
By the way, the difference between 12 MP and 24 MP is also not felt as serious as we would like. Even while processing and viewing photos in a '1 to 1' ratio, it is difficult to tell what is in front of my eyes - 50 MP or 24 MP. It's only when you start moving around the frame with the magnifying glass tool that you notice that the 50 MP image is slightly larger.
Paradox
My experience
The Canon 5Dsr didn’t get any “WOW!” from 50 MP. Even after moving from 12 MP images to 50 MP images, nothing has changed dramatically. The image simply became 2 times taller and wider. 2 times is very little. What I did experience from the 50MP was that my computer lags when performing the same operations that I do with 12 or 24MP images.
Roughly speaking, the essence of this article is this: when processing, viewing and printing photographs, the difference in the number of megapixels is not felt as much as one might expect.
Thank you for your attention. Arkady Shapoval.
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