home Accounting How to become a model with a height of 165. Short models: the best short models, show conditions, clothing styles and a successful career

How to become a model with a height of 165. Short models: the best short models, show conditions, clothing styles and a successful career

An outdated model of machines and - one of the most common in the territory former USSR machine for turning medium and large parts. The machine has been exported to many countries of the world. The 165 screw-cutting lathe has established itself as a reliable and unpretentious machine that does not require special attention.

Purpose

Designed for processing cylindrical, conical and complex surfaces - both internal and external, as well as for threading. To process the end surfaces of workpieces, a variety of cutters, reamers, drills, countersinks, as well as dies and taps are used.

Designation

The alphanumeric index of the screw-cutting lathe 165 means the following: the number 1 is a lathe; number 6 - indicates a screw-cutting lathe, number 5 - the height of the centers (500 mm).

Specifications machine 165	Options
The largest diameter of processing over the bed, mm	1 000
Machining diameter over the caliper, mm	650
Distance between centers	3 000 - 10 000
Headstock Spindle End Dimension DIN	2-15M
Spindle bore diameter, mm	128
Number of spindle speed steps	24
Spindle speed limits, rpm	5 - 500
The accelerated longitudinal movement of a support, m/min	3
The accelerated cross movement of a support, m/min	1
Main drive motor power	22 kW
The largest weight of the workpiece in the centers, kg	8 000 (10 000)
Overall dimensions of the machine (L x W x H), mm	6 140 - ... x 2 200 x 1 770
Machine weight, kg	12 800 - ...

New screw-cutting lathe 165

16K40RF3, 16R50F3, etc.

Also, the plant mastered the production of modern turning machining centers with a number of coordinates from 4 to 8, lathes with CNC inclined 1P756DF3 and horizontal layouts, pipe-working machines 1A983, 1N983 - for processing the ends of pipes with a diameter of up to 460 mm, wheel lathes, rolling lathes, machines for processing deep holes and etc.

History of the screw-cutting lathe 165

AT 1953 The first machine of the 165th series was put into production - a model (processing diameter - Ø 1000 mm).

Serial production of lathes: 1m65, 1n65.

165 Universal screw-cutting lathe. Purpose and scope

The Model 165 screw-cutting lathe is designed for machining medium to large workpieces in single and small-scale production. The machine can perform external and internal turning, including taper turning, boring, drilling and threading - metric, modular, inch and pitch).

Technical characteristics and rigidity of the design of the bed, carriage, spindle of the machine allow you to fully use the possibilities of working on high speeds cutting using high-speed steel cutters or equipped with stainless steel inserts hard alloys when processing parts made of ferrous and non-ferrous metals.

The principle of operation and design features of the machine

The caliper of the machine has a mechanical movement of the upper part, which allows turning long cones. Turning short tapers is also carried out by moving the upper part of the caliper.

Changing the feed rate and setting the pitch of the thread to be cut are carried out by switching the gear wheels of the feed box and setting the guitar of interchangeable gears.

The caliper has a fast movement in the longitudinal and transverse directions, which is carried out from an individual electric motor.

The machine is designed for processing ferrous and non-ferrous metals with high cutting speeds with cutters made of high-speed steel and hard alloys.

Closed type feed box provides standard thread cutting. Precise threads are cut using interchangeable gears, bypassing the feed box.

The change in the number of revolutions of the spindle and the feed rate of the caliper are carried out by switching the gears of the gearbox and the feed box with the help of handles.

The movement of the tailstock and the extension of the quill are performed manually by turning the handwheels.

Machine accuracy class H. Surface roughness V 6.

The technical characteristics and rigidity of the machines make it possible to fully use the capabilities of high-speed and carbide tools in the processing of both ferrous and non-ferrous metals.

View climatic design- UHL4 according to GOST 15150-69.

Accuracy class - H according to GOST 8-82E.

Modifications of the screw-cutting lathe 165

165

1N65, 1N65F1, 1N65G, 1N65GF1– Ø 1000 universal screw-cutting

16K50, 16K50P– Ø 1000 universal screw-cutting

1658, 1658 – Ø 1000 universal screw-cutting

RT28608, RT539, RT53901, RT732, RT366, RT731– Ø 1000 universal screw-cutting

Working space lathe models 165

Landing and connecting bases of the lathe 165. Spindle

Screw-cutting lathe spindle 165

Photo of a screw-cutting lathe 165

The location of the components of the screw-cutting lathe 165

Location of the main components of the lathe 165

Specification of the components of the screw-cutting lathe 165

Bed 1A64.01 - For RMTs-2800; (165.21 For RMC-5000)
Grandma front - 165.02
Headstock back - 165.03
Caliper - 165.041
Carriage - 165.05
Apron - 1A64.06
Feed box - 1A64.07
Replaceable gears - 165.08
Cartridge - 165.09
Steady rest 165.10
Cooling - 1А64.14
Fencing - 1A64.16
Cartridge guard - 165.19
Steady rest - 165.20
Electrical equipment - 165.80
Electrical piping: - 1A64.81 for RMTs-2800 (165.81 for RMTs-5000)

Location of lathe controls 165

List of controls for a screw-cutting lathe 165

Spindle speed knobs
Spindle speed knobs
Spindle speed knobs
Handle for setting normal and increased thread pitch
Setting lever for right and left threads
Handle for selecting the type of work (thread or feed) and the type of thread
Handles for setting the amount of feed and thread pitch
Handle for setting the amount of feed, thread pitch and turning on the lead screw directly
Handles for setting the amount of feed and thread pitch
Handle for setting the type of work (thread or feed)
Stop button (duplicate)
Spindle back button (duplicate)
Handwheel for manual movement of the carriage
Spindle forward button
Stop button
Leadscrew Nut Lever
Spindle back button
Handle for controlling the mechanical strokes of the carriage and caliper
Button for turning on the fast moves of the carriage and caliper
Roller for manual movement of the rear bike
Tailstock stop handle
Tailstock spindle stop pusher with quill
Quick travel handwheel for tailstock quill
Handle for turning on the slow or fast movement of the tailstock quill
Inching handle for tailstock quill
Screw of the transverse movement of the tailstock
Tailstock quill locking handle
Handle for manual movement of the incisor sled
Toggle switch for local lighting
Handle for turning and fixing the cutting head
Handle for manual cross feed of the caliper
Introductory switch
Button Spindle "Interrupted rotation"
Spindle Forward button (duplicate)
Button Cooling "Start"
Cooling stop button
Button "Auto Disabled"

Kinematic diagram of the screw-cutting lathe model 165

Structural scheme lathe 165 (with kinematic diagram 2)

Kinematic diagram of a screw-cutting lathe 165

The drive of the main movement is carried out from the electric motor through a V-belt transmission.

The gearbox tells the spindle 24 different speed both direct and reverse rotation through kinematic chains according to Table. 4.

The spindle is reversed by an electric motor.

On the shaft IX of the gearbox, rotation is transmitted from the spindle through the gears 21-22, 26-27 or from the shaft V (when the step increase link is turned on eight times) through the gears 16-24, 23-22, 26-27. Ball IX thus receives respectively one or eight revolutions per revolution of the spindle.

The block of gear wheels 25 and 28 is designed to change the direction of movement of the carriage when threading.

In the feed box, the movement is transmitted from the IX shaft through replaceable gear wheels 30-32-31.

The feed box informs the caliper through the overrunning clutch, the running shaft XXIII and the apron mechanism 32 longitudinal and transverse feeds.

The calculation of the kinematic chain of longitudinal and transverse feeds is carried out according to the formula

i \u003d i cm * i k.p * i f

i cm - gear ratio of replaceable gears;

i kp - gear ratio of the feed box;

i f - gear ratio of the apron.

The kinematic chains through which the feeds are carried out are given in Table. 5 for the feed box and in table. 6 for an apron.

Threading is carried out through the kinematic chains of the feed box given in Table. 7. In addition, threading can be done with direct connection lead screw with interchangeable gears, selecting the appropriate i cm (see table. 24). The range of feeds and threads is extended by using the 8x pitch link.

The list of elements of the kinematic scheme (see Fig. 4) is given in Table. 8, and corrected gears - in table 9.

Brief description of the model 165 screw-cutting lathe

bed

The bed is the basic assembly unit on which all other Assembly units and machine tools.

On the upper part of the bed there are three prismatic guides, of which the front and rear are the base of the carriage, and the middle one is the base of the tailstock.

Inside the bed there are inclined hatches for the removal of chips and coolant in the direction opposite to the workplace.

Under the left head part of the frame there are niches, in one of which the main drive electric motor is mounted, and in the other - the cooling electric pump with a reservoir for the coolant. The trough for collecting the coolant is made monolithic with the body of the frame.

On the right side of the frame on the front wall there is a bracket with built-in supports for the lead screw and the lead shaft and a gearbox for fast movement of the caliper with a flanged electric motor.

To prevent sagging of the lead screw and the drive shaft, the machine with the RMC 5000 has two hangers.

Grandma front screw-cutting lathe model 165

Grandma front screw-cutting lathe 165

The headstock is mounted on the left head of the frame, fixed with pins and bolted.

In the body of the headstock are mounted:

gearbox
spindle assembly
eight times pitch link
mechanism for changing the direction of movement of the carriage when threading
spindle speed setting mechanism
Lubrication system
electric cabinet

The spindle is mounted on three rolling bearings, of which the front and rear are adjustable.

A description of the adjustment of spindle bearings is given in the Adjustment section.

Setting the spindle speed, as well as setting for cutting right or left threads of normal or increased pitch is done by moving the gears along the splined shafts using the handles located on the front wall of the headstock (see Fig. 37 and table 22).

Shaft splines and gear teeth are hardened and ground.

The inclusion of the step increase link is possible only when working with enumeration.

Headstock rear

The tailstock moves along the guides of the bed from the manual movement gearbox by rotating the roller 26 (see Fig. 3).

The headstock is attached to the frame with two clamps with three bolts.

For rigid fixation in the axial direction, the tailstock has a stop, which can be inserted into the cast depressions of the frame with the handle 27.

The body of the headstock is displaced along the bridge in the transverse direction (see subsection "Regulation").

A rotating spindle is built into the headstock quill, the bearings of the front support of which are adjusted using nuts.

The quick movement of the quill is made by the flywheel 29. locking - by the handle 33.

The slow movement of the quill is carried out by handles 31 through a worm gear, activated by handle 30.

For drilling, countersinking and reaming by turning the pusher 28, it is necessary to turn on the gear coupling that rigidly connects the spindle to the quill.

The tailstock spindle has a slot for the legs of the tail cutting tool.

When changing the center or tool, the quill must be pushed into the headstock body until it stops. In this case, the pusher pushes the center or tool out of the spindle.

Caliper and carriage

The support of the cross structure has a longitudinal movement along with the carriage along the frame guides and a transverse movement along the carriage guides. Both movements are carried out mechanically (with cutting feed and using a rapid movement mechanism) and manually.

The cutting sled, carrying a four-position tool holder, moves manually along the guides of the rotary part, which can be rotated around the vertical axis to any angle.

The nut of the screw pair of the transverse movement of the caliper is composite and is divided by an adjusting wedge. Adjustment of gaps in the guides of the carriage, the turning part, produced by wedges, in the "screw pair of the transverse" movement of the caliper is given in subsection 2.4. "Regulation".

Machine apron

Apron - closed type with a removable front wall (lid).

The movement of the caliper group is transmitted by the apron mechanism from the drive shaft or lead screw.

Due to the presence of four electromagnetic clutches in the apron, the control of the mechanical movement of the caliper group is concentrated in one handle 23 for controlling the mechanical movements of the carriage and caliper (see Fig. 3), and the direction of turning on the handle coincides with the direction of feed.

By additionally pressing the button 24 (see Fig. 3), built into the handle 23, you can turn on the fast travel of the caliper in the direction of tilting the control handle (23).

Thanks to the overrunning clutch built into the feed box, the inclusion of a high speed is possible with the feed turned on.

The lead screw nut is split, it is turned on by the handle 21 through the cam device.

There is an electromechanical interlock to prevent the lead screw nut and feed from being turned on at the same time.

A safety clutch mechanism is mounted in the apron, which prevents the machine from breaking during overloads. Its adjustment is given in subsection 2.4. "Regulation".

Gearbox

Feed box - closed type with a removable front wall (lid).

The feed box mechanism allows you to get all the feeds and threads cut on the machine without resorting to changing the setting of interchangeable gears.

Adjust the feed box for feed or threading in accordance with Table. 23 and 24 in the following order (see fig. 3 and fig. 38):

turn the handle 10 to the "off" position
turn the handle 14 to the “lead screw” position for threading or to the “lead roller” position - to work with feed
handle 7 to move to one of three positions - " inch thread”, “modular thread”, “ metric thread or submission"
install handles 9, 12, 13 according to the table of feeds and threads on the required thread or feed, and to install handle 9 in desired position bring the corresponding number on its disk under the pointer;
turn the handle 10 to the “on” position

When setting for threading with higher precision pitch, connect the lead screw gear couplings directly with the receiving shaft of the feed box in accordance with the table. 25 (see fig. 39).

Interchangeable gears

A set of interchangeable gears with i cm = 2/3, which allows you to get on the machine all the threads and feeds specified in the "Passport" section, is installed on the wall of the headstock.

The design of the mechanism of interchangeable gears provides for the possibility of installing other sets of gears.

ammo

The machine includes a four-jaw non-self-centering chuck with a diameter of 1000 mm.

lunettes

For processing non-rigid parts, the machine is equipped with two steady rests - movable and stationary.

The electrical circuit of the screw-cutting lathe model 165

Wiring diagram of a universal screw-cutting lathe 165

Electrical equipment of the machine 165. General information

The following motors are installed on the machine:

main drive motor
electric motor for quick movements of the carriage
cooling pump motor

The electrical equipment of the machine is powered by AC 380 V, 50 Hz.

Control power supply direct current a voltage of 24 V is carried out from a selenium rectifier D1 (single-phase bridge, see Fig. 14).

110 V AC control circuits are powered by a step-down transformer.

The local lighting lamp is powered by a voltage of 24 V from a separate transformer.

All equipment for controlling the electric drives of the machine is mounted in the niche of the headstock and is indicated in Table. eleven.

The control of the electric drives of the machine is remote, push-button and is carried out (see Fig. 17):

from the control panel on the front headstock - PB
from the control panel on the carriage - PC
from the control panel on the apron - PF

The connection of the electrical equipment of the machine to the workshop electrical network is carried out using the introductory machine (automatic 1 switch) BA1, installed on the side wall of the niche of the headstock. Input is carried out by a wire with a section of 10 mm2.

Protection of electric motors and control circuits against short circuit currents and overloads is carried out by automatic switches and thermal relays.

The values of rated currents and values of inserts of magnetic starters and relays are given in Table. 12, 13.

Zero protection of the electrical equipment of the machine is carried out by opening the circuit. (closing) auxiliary contacts in the self-supply circuit of magnetic starters and relays in the event of a power failure in the shop electrical network.

Specifications of lathe 165

Parameter name	DIP-500 (1d65)	165	1m65	1n65
Main settings
Accuracy class according to GOST 8-82	H	H	N, P	N, P
The largest diameter of the workpiece over the bed, mm	1000	1000	1000	1000
The largest diameter of the processed workpiece over the support, mm	620	600	600	650
The greatest length of the workpiece (RMC), mm	5000	2800, 5000	3000, 5000, 8000	1000, 3000, 5000
Height of the installed cutter, mm		45 x 45		50
The largest mass of the workpiece in the centers, kg		5000	5000	5000
Spindle
Spindle through hole diameter, mm	100	85	85	128
The largest diameter of the clamped bar, mm		80	80	120
Maximum torque on the spindle, kN/m				9,5
Number of frequency steps for forward rotation of the spindle	12	24	24	24
Frequency of direct rotation of a spindle, rpm	4,25..192	5...500	5...500	5...500
The size of the inner cone in the spindle	KM 6	100, 1:20	100, 1:20	100, 1:20
Spindle end according to GOST 12595-72		1-15M	1-15M	2-15M
Standard chuck diameter, mm				1000
Spindle braking	there is	there is	there is	there is
Submissions
The largest longitudinal movement of the caliper RMTs=3000, mm		2520	2710	700, 2700, 4500
The greatest transverse movement of the caliper, mm		600	600	600
The price of division of a limb at longitudinal movement, mm	No	0,1	0,1	0,1
The price of division of a limb at transverse movement, mm	0,05	0,05	0,05	0,05
The greatest longitudinal movement per revolution of the limb, mm	10	50	50	50
The greatest transverse movement per revolution of the limb, mm	12	6	6	6
Number of steps of longitudinal feeds		32	32	40
	0,225..3,15	0,20..3,05	0,20..3,05	0,05..3,05
Limits of transverse feeds, mm / rev	0,114..1,6	0,07..1,04	0,07..1,04	0,017..1,04
Maximum longitudinal cutting force Pz, kN		12	12	41
The greatest transverse cutting force Px, kN		780	780
Speed of fast movements of a support, longitudinal, m/min	No	2,16	3	3
The speed of fast movements of the caliper, transverse, m/min	No	0,735	1	1
Number of metric threads to be cut	22			44
Limits of pitches of cut metric threads, mm	1..14	1...120	1...120	1...120
Number of inch threads to be cut	36			31
Limits of pitches of cut inch threads	2..28	28...¼	28...¼	28...¼
Number of modular threads to be cut	13			37
Limits of pitches of cut modular threads	0,25..3,5	0,5...30	1...120	0,5...30
Number of pitch threads to be cut	No	No	No	No
Switching stops, longitudinal	No	No
Switching stops, transverse	No	No
Cartridge (upper slide)
The greatest movement of the incisive sled, mm		240	240	240
The price of dividing the limb of moving the incisive sled, mm	0,05	0,05	0,05	0,05
Number of feed steps				40
Limits of longitudinal feeds, mm/rev				0,017..1,04
Fast travel speed, mm/min				1
The largest angle of rotation, hail				±90°
The price of one division of the angle of rotation, deg				1°
tailstock
Center in the spindle according to GOST 13214-79	Morse 6	Morse 5	Morse 5
The greatest movement of the quill, mm		300	300	300
The greatest movement of the quill with the installed tool, mm			280
Quill diameter, mm	120
The greatest movement of the quill in the transverse direction, mm	±30			±15
electrical equipment
Number of electric motors on the machine	1	3	4	3
Main drive electric motor, kW	17	22	22	22
High speed caliper electric motor, kW	No	1,5	1,5	1,5
Lubrication pump drive	Built in		C12-54
Cooling pump (pump)		PA-22	PA-22	0,12
Total power of all electric motors, kW				23,62
Dimensions and weight of the machine
Machine dimensions (length width height) RMTs=2800,3000, mm	8000 x 1700 x 1620	5825 x 2100 x 1760	6140 x 2200 x 1760	6140 x 2200 x 1770
Machine weight RMTs=3000, kg	11500	12500	12800	12800

To become a model, it is not necessary to be tall, thin and graceful. Men and women 165 centimeters tall and below can get a contract with a modeling agency if they know what their strengths and weak sides. In the world of fashion key role tall and thin models play, but there are other opportunities for self-realization. If you use your strengths where they are in demand, you can succeed.

Steps

How to get noticed

Meet the photographer. Before you start looking for a job, you should find a good photographer. It is best to choose a photographer who can both shoot you and do your makeup. For a snapshot close-up you will need to use some makeup.

Look for such photographers on the Internet.
You may also be able to find a photographer through the agency you plan to work with.

Model show business attracts many young girls. Beauty, style, fame, paparazzi flashes, it's all so tempting. But is it easy to be a model? Diets, constant emotional and physical stress are not as colorful as we think. The weight of the models must be constantly stable, and the skin perfectly smooth. And this is an unrealistic work that requires a lot of attention and perseverance.

Ideal Model Parameters

A model has a beautiful life, every girl probably thinks so. In childhood, everyone dreams of getting on the podium, or conquering fashionable glossy magazines. But is it as easy as it seems at first glance? If you look at the table, which is not at all as joyful as the smile of world stars in the photographs:

Height, cm	Weight, kg
178	47
173	45
180	48
165	42
160	40
155	37
153	35
158	38
150	34

If nutritionists see these numbers, they will be horrified. With such proportions, where the growth of models is not at all proportional to weight, it is quite possible to get anorexia. Models whose weight is ideal face the problem of emaciation and do not hide it. Other than going on a diet, there is no way to achieve this weight, even if you have a super fast metabolism. Being a model is quite difficult, as maintaining an ideal weight is a very difficult task.

Secrets of the best models in the world

The fashion industry is developing by leaps and bounds. AT this area females can get from 12 years old to 21 years old. The parameters of the model do not depend on her age, the main thing is that the available data coincide with the tabular ones (weight, height, chest, hips, waist). But do not waste your health by going on a diet to achieve such parameters. After all, not many people can achieve results in this business, but at the same time they manage to spoil their health.

World-class models are known, with their ideal proportions:

Twiggy. The smallest and most fragile model who introduced thinness into fashion. Her parameters are 78-50-81 (chest, waist, hips);
Claudia Schiffer. The world model, which has the parameters -83-60-88;
Naomi Campbell - 80-60-86;
Natalya Vodyanova. Model of the highest category, and its ideal parameters - 86-61-86;
Heidi Klum -94-65-98.

From the above list it is clear that not all girls - models have ideal parameters, they are certainly scolded, and they sit down on a non-rigid diet. But many designers and modeling agencies pay attention not only to weight, height, but also to the very physique of a woman.

All world-class models struggle with extra pounds almost every day. They attend fitness, or aerobics. They "sit down" on diets that are monitored on the Internet, or communicate personally with a nutritionist. Be sure to go jogging and go to the pool. The life of a model is not as rosy as it seems at first glance. The constant struggle for the best contracts, grueling diets and constant physical activity exhaust the girls, but on the other hand, the delight of the fans and the outbursts of the paparazzi do their job.

If you decide to get closer to the ideal figure, then start with active physical activity in combination with a strict diet.

Why do girls want to be a model

There are so many professions in the world that are interesting and enjoyable. Why do all girls strive to get into the modeling business? The answer is very simple. Popularity, that's what young girls want. But none of them understand that the path to a successful model is thorny and very difficult. beautiful face it's not enough here.

Reasons why you want to be a model:

The financial side of the issue. Profitable contracts will give you the opportunity to bathe in luxury;
Popularity and fame. For many, it is very important to be famous so that everyone recognizes and loves;
Self-esteem. When a large number of people admire you, self-esteem rises, which is very important for many.

But colorful dreams break at the first problems. It is not at all easy to achieve the ideal weight, the necessary parameters, especially genetics does not want to. So if you want to be a model top level, you have to try really hard. World-class models push themselves to the point of exhaustion in order to get the most profitable and best contract.

Ideal parameters, history

The ideal height of models is not entirely proportional to their weight. If we are used to the fact that a girl with a height of 178 cm should weigh 68 kg, then in the modeling business everything is different. Here, the perception of such a correct, from the side of medicine, proportion is radically changing. With a height of 178 cm, the weight of the female model is 48 kg. Impressive. But in addition to weight, it is important to observe proportions.

Even if a girl does not work in the modeling business, she strives to have ideal proportions. But have such parameters always been considered beautiful? For every time, there are their own standards of beauty and their ideal views on it:

Ages of Antiquity. At this time, magnificent forms were considered beautiful. A prime example of that era - Aphrodite of Cnidus. She had interesting, and most importantly, lush parameters. With a height of 164 cm, the beauty had a chest volume of 94 cm, and a waist of 72 cm, while all the hips were 96 cm. If you ask what these parameters were associated with, the answer lies in the fact that in that era people ate, everything was enough, therefore, calories were not counted. And if a person is beautiful, magnificent, then he is not poor and he has everything;
Middle Ages. During this period, it is known for its self-restraint in everything, and the female figure is no exception. Historians argue that at that time the ideal female figure should have had the following parameters: chest 79 cm, waist 62 cm. Even our days can envy such parameters. The only thing that remained unknown was the parameters of the hips, since the fashion of that time dictated wearing wide skirts to the floor;
The Age of Objection. This time boasts beauties with magnificent forms, not tall;
Ruben's ladies. It's no secret that the ladies of that time were the owners of magnificent forms, where the girth of the chest and hips was 98 cm, and the waist was 72 cm.

Already in the 19th century, the owner of a magnificent chest, but a thin waist, was considered the ideal of female beauty. A bright example of such a lady is Natalya Goncharova. Waist 42 cm, chest 96 cm. And the 20th century is characterized by girls of an athletic build with a chest volume of 90-93 cm, a waist of 60-65 cm, and a hip of 94-96 cm.

Parameters 90-60-90 have their own history. There are a couple of legends that reveal the secret of the emergence of such interesting numbers. One of which suggests that Marilyn Monroe herself had such parameters, although her growth was below ideal. Therefore, it is difficult to say that she was very thin. Another version indicates that such parameters were chosen by the designers themselves in order to simplify their work. It's easier to make patterns. The middle of the 20th century, when the first fashion houses were already opened. It was at this time that thinness came into fashion.

Psychologists say that the fashion for thinness came from the fact that people do not want to grow up. That is, after the times when curvaceous forms were in fashion, the peak of popularity comes healthy lifestyle life, where it is important to be in shape, to be athletic. Youth is what everyone wants to see, and no one wants to accept themselves as adults and not as attractive as before. Since fashion is something high, and everyone strives to be stylish, thinness reflects the dreams of every lady. Therefore, such parameters are considered the best for perception and operation. Therefore, to be thin means to be fashionable.

Informative video

https://youtu.be/tysTrrWCTBo

Read also

Today we would like to introduce you to a girl who, despite her initially weak for modeling business data (height 165 cm), did not give up and proved to herself and others that she could cope with the work in no way worse, and even better than others. She proved it in photo shoots, shooting in advertising in the world of modeling. Please love and favor - Irina Pushkareva, a model of a glorious Moscow agency with a long history of Z'S Models.

Ira, hello! Tell me something about yourself.

- Hello. I'm 16 years old and I'm quite an ordinary girl?. On the this moment I study at the Pedagogical College at the choreographic department. After the ninth grade, I decided to leave school - I realized that I wanted to do what I liked. Moreover, I dreamed of devoting more time to the modeling business. By the way, I can say that I started my modeling career at the age of 13. For a long time I persuaded my parents to allow me to try myself in this area, asked me to send me to a modeling school - they gave up and, after going through many options, we settled on the Slava Zaitsev Model House. Let me tell you right now, it was not easy. The two-month training, during which I had to learn everything that a professional "gaiter" business should know, was at the same time one of the best experiences in my life, and one of the most difficult - constant high heels, these experiences regarding my own height are mine at that time 163 cm did not fit very well with 175 cm of my colleagues?, the fear that I would not be able to show myself worthy at the graduation show - all this kept me in suspense. However, as it turned out, everything can be overcome. And here I am one of operating models such a worthy modeling agency. And here I would like to express my gratitude to my relatives and teachers - without them I would never have been able to achieve this.

Yes, indeed, much depends not only on the person himself, but also on his environment. But in the modeling business there are certain strict requirements, a canon, a standard, whatever you want to call it - I mean the parameters - without them, it is difficult to succeed. There are extremely few exceptions. How do you manage, despite your small stature, as they say, to stay afloat?

- Maybe I am supported by the fact that I originally wanted to be a model, a dream. I don't know, but the educators in kindergarten told me that I would become a fashion model. And now their words seem to have come true over time. Plus, I initially understood that with my growth the podium does not shine - that is, from the very beginning I did not have an impossible task in the modeling business. Yes, I was rejected many times at castings because of my 165 cm, but this did not undermine my faith in myself - in all honesty, I always knew that I was unlikely to be able to succeed in the “language”. Although, of course, the podium and teamwork before the main penetration is also a kind of buzz - flashes, lights, beats, you are dressed in something unimaginable - the sensations that you experience at this moment are unforgettable. However, be that as it may, and I would like to say this to many short girls, nothing in this life just happens, do not be discouraged if you have flaws (and who does not have them?) You need to treat everything with understanding.

Ira, but in general there are a lot of dirty rumors about the modeling business. And usually they just go after those who, for some reason, stand out from the crowd. What do you think about it?

- Oh, well, I somehow have a negative attitude to any such talk in the world of show business. In general, I am against dirt, gossip. I think that you just need to love your job, do it well, treat everything you do in general, reverently, and then everything will be ok.

But do you have idols, people from the modeling business, whom you would like to be equal to, who inspire you?

- Yes, of course, where without it. I can say that I have long been a fan of Cara Delevingne. She is cool and her courage in her actions, the courage that she is not afraid to show all her actions and ideas on camera, both surprise and inspire me at the same time. I also watch the works of Coco Rocha with interest - she is a wonderful mother, and she does her job incomparably. In general, if they asked me now what I want, I would answer: a master class from Koko and a personal meeting with Kara?

Ahah! Maybe they'll want to meet you someday too! Everything ahead! Ira, tell us about your latest work in a modeling agency. What do you remember?

- Well, you can say that I somehow pleased the grandmothers of my court. Once I showed clothes in "Fashionable Sentence" - this could not help but be remembered, of course. It was great to feel this TV magic that everyone is talking about. From the last one was ads"Personal mannequin" for a famous actress (which, by the way, I look like - perhaps you will understand who we are talking about). My task was to become a doll, to portray a real mannequin. It was an interesting experience for me also because it was my first time shooting in underwear. However, since real professionals of the Moscow modeling business worked with me, and the atmosphere was very friendly, it was very pleasant to work. In general, I just now thought that I’m doing all this not even because of the money, but because the emotions that I get from the work done are really important to me.

Ira, where do you see yourself in 5 years? Such an insidious question, I understand, but still?

- Oddly enough, but for some reason I already see myself as a mother. I absolutely adore children. Although, of course, there are already many thoughts on this subject: both to gain more knowledge and move to another country - I have always dreamed of living in Germany and Spain (maybe I will have a chance to work there). In general, you can say that I prefer not to think about what will happen next. Life brings various surprises, and it is better not to invent fairy tales for yourself in advance - let it be as it should be.

That's for sure. As they say, man proposes and God disposes. Ira, what would you like to wish to the girls who are not yet filmed in commercials, are not in the agency, but only dream of being models?

- First of all, I want to say: girls, work on yourself. Achieve success, no matter what, in spite of everything! Spit on your complexes, on the same height, do not be afraid to show yourself real in front of the camera, work with full dedication. And the success of the modeling business is guaranteed to you! However, at the same time, do not forget that you need to be very careful on the modeling path, because anyway, in this area, like in any other, there is deceit and the risk of “running into” unpromising work. Therefore, consult with people who are professionals in their field. And most importantly, no matter how trite it may sound, try to find something in yourself that could become your individual highlight!

with love, LAS VEGAS MODEL MANAGEMENT. Interviewed by Alina Sudakova

Post Views: 2 287